The String Quartet No. 1 in D major, Opus 11, was Pyotr Ilyich Tchaikovsky's first completed string quartet of three string quartets, published during his lifetime. (An earlier attempt had been abandoned after the first movement had been completed.) Composed in February 1871, it was premiered in Moscow on 16/28 March 1871 by four members of the Russian Musical Society: Ferdinand Laub and Ludvig Minkus, violins; Pryanishnikov, viola; and Wilhelm Fitzenhagen, cello.
This Soviet production filmed live at the Kirov conveys the full beauty of Tchaikovsky's vision. It is a poetically tender work which was confirmed by Tchaikovsky himself in 1878 when he said I played the whole of Eugene Onegin, the author was the sole listener, the listener was moved to tears. Eugene Onegin is Tchaikovsky's most lyrical operatic work. While composing it, he wrote he was filled with indescribable pleasure and enthusiasm. The opera is based on Pushkin's novel in verse and was first produced in Moscow on March 29, 1879. Featuring Sergei Leyferkus as Onegin, Yuri Marusin, Tatiana Novikova, Larissa Dyadkova.
The life of Peter Ilyich Tchaikovsky (1840–1893) exhibits as close a link as you will find anywhere between an artist's inner world and the outward products of that artist's creative activity. As a man, Tchaikovsky was defined by and indivisible from his music, which became an outlet for all the shifting moods of his turbulent soul. As Professor Robert Greenberg says, "If Tchaikovsky felt it, it found a way into his music."
In October of 1880, Tchaikovsky reported to the admiring Madame von Meck that "recently my Muse has been benevolent. I have written two long works very rapidly - the 1812 Overture and a Serenade in four movements for string orchestra. The Overture will be very noisy. I wrote it without much warmth of enthusiasm; therefore it has no great artistic value. The Serenade, on the contrary, I wrote from an inward impulse. I felt it, and I venture to hope that this work is not without artistic qualities."