Suitably grand in scale and far-reaching in its scope, this soundtrack is the first new music from Vangelis since 1990's The City. 1492 stands up well next to Vangelis's classic Chariots of Fire, due to his innate ability to get right inside the material and provide an integral part of the film itself. Vangelis succeeds in capturing the 15th-century mood, mixing rich choral portions with modern elements, and portraying the larger than life character of Columbus, complete with full-range, dynamic sound.
This soundtrack had for Vangelis a huge popularity and was certainly one of his most relevant and famous creations. The album consists of twelve songs that are really into five distinct tracks: except 'Hispaniola', items 7 and 8 are merged into a single musical passage and the other on compositional merge seamlessly trios.
In 1492, there was no country called Spain and no language called Spanish. The biggest event of the year, in the region that would become Spain, was the surrender of the last Muslim stronghold, Granada. The Edict of Expulsion gave Jews three months to either convert to Christianity or leave the Kingdom of Castile and the Crown of Aragon.
L’émergence et le déclin de l’hyperpuissance hispanique demeurent l’un des phénomènes les plus spectaculaires de l’Histoire. De l’union de la Castille avec l’Aragon à la fin du xve siècle à l’échec de l’Invincible Armada devant l’Angleterre, quatre souverains ont gouverné un pays qui a été engagé sur tous les fronts : en Méditerranée face à l’Empire ottoman et aux Barbaresques, en Europe du Nord face aux Pays-Bas révoltés et aux princes du Saint Empire passés à la Réforme. …