Like velvet underwear, The Bottle Collector's Lounge is smooth. With songs like "King Louis" and "Esquire Lounge," The Dino Martinis remember their Las Vegan roots, but they also strike out with everything from jump blues to gospel. The CD's production quality is also quite astounding.
This soundtrack to the movie features an astonishing array of blues artists from three generations. Recorded during one long night at NYC's Radio City Music Hall on Feb. 7, 2003, the electricity is in the air and on stage. While it may not have been the finest blues show in history, the collection of founding fathers such as David "Honeyboy" Edwards, Buddy Guy, Clarence "Gatemouth" Brown, Larry Johnson, Hubert Sumlin, Solomon Burke, and the ubiquitous B.B. King along with their spiritual offspring (Gregg Allman, John Fogerty, and Steven Tyler) and some usual suspects like Bonnie Raitt, Robert Cray, and Keb' Mo', makes it arguably the most significant blues session ever captured on film. Beginning acoustic, the double disc builds momentum and volume as we hear the blues mutate to electric and finally hip-hop with Chuck D. exploding on a rap version of John Lee Hooker's "Boom Boom".
Joseph Arthur is an American singer-songwriter and artist from Akron, Ohio. Combining poetic lyrics with a layered sonic palette, Arthur has built his reputation over the years through critically acclaimed releases and constant touring; his unique solo live performances incorporate the use of a number of distortion and loop pedals, and his shows are recorded live at the soundboard and made available to concertgoers immediately following the show on recordable media. Arthur was discovered by Peter Gabriel in the mid-'90s, and signed to Gabriel's Real World label as the first North American artist on the label's roster.