Pieter-Jan Belder has made over 100 recordings, including the complete Telemann Tafelmusik for Brilliant Classics, and this set is part of his project to record all of Rameau’s keyboard music. On this 3CD set are Rameau’s great sets of pieces for keyboard – Pièces de Clavecin en Concerts of 1741, the Pièces de Clavecin of 1705 and 1724, and the Nouvelle Suites de Pièces de Clavecin of 1726. In the centuries that have passed since his death in 1764, he has been consistently praised by composers such as Debussy (‘A composer I cannot recommend strongly enough is Rameau’ he wrote in 1903), Hindemith, Tartini, D’Indy, and Gluck – what a variety! All wrote of their indebtedness to him, and acknowledged his influence.
Janos Starker was one of the 20th century's best cellists, known for his warmth and expression, as well as a thorough knowledge of the instrument. On these historic recordings, Starker delivers Bach’s six suites for solo cello and sonatas with technical expertise and authenticity. Accompanied by pianist György Sebök, this re-release is captured with the pristine sound associated with the Mercury Living Presence series.
Hailed for his “revelatory” account of Bach’s Well-Tempered Clavier (The New York Times), Richard Egarr turns to one of the least known collections for solo harpsichord. This complete recording of the solo oeuvre of Louis Couperin (c.1626-1661) revels in his full harmonic and contrapuntal textures, marked by a poignant use of dissonance – music that entrances the ear!
On this […] two-CD set from CPO, harpsichordist Ludger Rèmy is thankfully up to the task. He offers the debut recording of Froberger's complete autograph Strasbourg Manuscript, an amazing collection of 14 keyboard suites brimming with fine ideas which was discovered in 1675, eight years after its composer's death. How youthful and exuberant these works are! And how pensive and introspective they can become. The scope and variety of Froberger's imagination places him on par with Rameau, the Couperins, Frescobaldi, and d'Anglebert in their prime. In Germany certainly, he had no peer before J. S. Bach. (John Greene, ClassicsToday.com)
Characterised by his sharply defined rhythms and a flair for instrumental colour, the Columbian harpsichordist Rafael Puyana has died aged 81. Since his concert debut at the New York Town Hall in 1957, Puyana continued to be an active performer on the concert platform and in the recording studio. His repertoire ranged from 16th-century keyboard works to music specifically composed for him by contemporary composers.
Here comes from a guy nickname as "The Handel of Sweden". Johan Helmich Roman is Baroque composer born in Stockholm. He was a violinist and oboist. He was leading figure in Swedish Royal Orchestra back then in 1720s. His most famous work happened to be a wedding compilation called "Drottningholmsmusique" a large orchestral suite for the wedding of the Crown Prince Adolf Frederick of Sweden and Louisa Ulrika of Prussia. In this CD we found 12 flute sonatas for Basso Continuo, which replaced by harpsichord and cello. The form was most famous back then for flute enthusiast as they are simple. The pieces are somehow Handellian in spirit. This CD will enrich our experience and knowledge in Baroque flute repertoire. The whole CD is given performance by flutist Jed Wentz, who happened to be American flutist born in New Brighton PA. He is expert in Baroque repertoire.