10cc Bloody Tourist

10CC - Bloody Tourists (1978) [2008, Japan SHM-CD] Repost  Music

Posted by v3122 at March 11, 2016
10CC - Bloody Tourists (1978) [2008, Japan SHM-CD] Repost

10CC - Bloody Tourists (1978) [2008, Japan SHM-CD]
Rock/Pop-Rock/Pop | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Scans(png) -> 52 Mb | ~484 + 163 Mb | Universal Music | UICY-93817

After proving they could keep 10cc alive as a duo act with 1977's successful Deceptive Bends, Eric Stewart and Graham Gouldman pressed on in 1978 with Bloody Tourists. Although it scored some notable hits, it was a less consistent and less memorable affair than its predecessor…

10CC - Bloody Tourists (1978) [2008, Japan SHM-CD]  Music

Posted by v3122 at June 6, 2010
10CC - Bloody Tourists (1978) [2008, Japan SHM-CD]

10CC - Bloody Tourists (1978) [2008, Japan SHM-CD]
Rock/Pop-Rock/Pop | XLD Rip | Flac (Track's) + Cue + Log | MP3 CBR 320Kbps | 15 tracks
Scans(Jpg 300dpi) Included | Scans(Tiff 300pdi) -> 139 Mb | ~484 + 163 Mb | RS.com + HF.com
Universal Music | UICY-93817
10cc - Bloody Tourists (1978) [1993 German Mercury Non-Remaster Pressing]

10cc - Bloody Tourists (1978)
EAC AccurateRip | FLAC + Log + Cue | Scans | 314 MB | HF + RS | 5% recovery
Label: Mercury 826 921-2 | Genre: Rock

After proving they could keep 10cc alive as a duo act with 1977's successful Deceptive Bends, Eric Stewart and Graham Gouldman pressed on in 1978 with Bloody Tourists. Although it scored some notable hits, it was a less consistent and less memorable affair than its predecessor. The problem with Bloody Tourists is that it feels like a group of session musicians trying to come up with songs in the 10cc style instead of a proper 10cc album. The eccentric humor that once flowed freely feels forced on this album: "Reds In My Bed" is a lame stab at Cold War satire that never really succeeds in saying anything while "Shock On The Tube (Don't Want Love)" tries to be daring with its tale of a subway sex fantasy and instead comes off as smutty and dull. Another problem is that the music propping up these narratives is lacking in both hooks and inspiration: the backing track for "Take These Chains" is a dull attempt at rockabilly that sounds like an especially poppy Eagles outtake and "The Anonymous Alcoholic" has a disco-parody portion that merely sounds like a mediocre example of the music it is supposedly sending up. However, the album's singles present a few bright moments: "For You And I" is a lovely ballad that fortifies its attractive melody with some strong vocal harmonies and "Dreadlock Holiday" chronicles the exploits of a hapless tourist in Jamaican against a catchy pop-reggae backdrop.
10cc - Bloody Tourists (1978) [West Germany 1st Press, 1990] Repost

10cc - Bloody Tourists (1978) [West Germany 1st Press, 1990]
EAC Rip | FLAC: Image+Cue+Log | 331 Mb | MP3 CBR 320 kbps | 154 Mb | Scans | 158 Mb | Time: 49:58
Genre: Pop Rock, Soft Rock, Art Rock | Label: Mercury | Cat.: 826 921-2

Bloody Tourists was the sixth studio album by 10cc and the second to be produced following the band's 1976 split. It yielded the singles "Dreadlock Holiday", which reached No.1 in the UK in August 1978, and "Reds in My Bed", which did not chart.
10CC - Bloody Tourists (Phonogram 6310 504) (GER 1978, 1st Press Vinyl)

10CC - Bloody Tourists (Phonogram 6310 504) (GER 1978, 1st Press, Vinyl)
1978 | FLAC | NO LOG & CUE | Artwork
24Bit/96kHz: 987 MB | 16Bit/44.1kHz: 274 MB

10CC - Bloody Tourists  

Posted by stfine at May 22, 2008
10CC - Bloody Tourists

10CC - Bloody Tourists
Mercury | 1978 | Soft Rock | mp3 ~250kb/s (vbr) | 96MB

Bloody Tourists was the sixth studio album by 10cc and the second to be produced following the band's 1976 split. It yielded the singles "Dreadlock Holiday", which reached No.1 in the UK in August 1978, and "Reds In My Bed", which did not chart.
Wayne Fontana & The Mindbenders - Wayne Fontana & The Mindbenders/It's Wayne Fontana & The Mindbenders (2002)

Wayne Fontana & The Mindbenders - Wayne Fontana & The Mindbenders/It's Wayne Fontana & The Mindbenders (2002)
MP3 CBR 320 kbps | 159 Mb | Scans | Time: 01:06:19
BGO Records | BGOCD540
Beat, Pop, Pop Rock

Originally released in 1964 and 1965 on the Fontana label. Included among the ranks of The Mindbenders were future 10cc members Eric Stewart (at the time of these recordings) on guitar and vocals, and later (1968) Graham Gouldman on bass. For straightforward solid meat'n'potatoes British Beat, one need look no further than Wayne Fontana & The Mindbenders. What they lacked in originality they more than made up for in good old-fashioned exuberance and panache.
10cc ‎- Deceptive Bends (1977) Mercury/6310 502 - Original UK Pressing - LP/FLAC In 24bit/96kHz

10cc ‎- Deceptive Bends
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb
Label: Mercury/6310 502 | Release: 1977 | Genre: Pop-Rock

Excellent addition to any rock music collection.
This was the first album released by the band after the departure of Kevin Godley and Lol Creme. Many wondered at the time if the remaining half, Gouldman/Stewart, could pull off a decent album or would it be a let down. When it came out I rushed out to buy it, hoping it would be pretty good.

Nice The Creative Group Bloody Roses WAV  Software

Posted by Dizel_ at March 17, 2017
Nice The Creative Group Bloody Roses WAV

Nice The Creative Group Bloody Roses WAV | 124 Mb

Nice The Creative Group presents 'Bloody Roses'. This pack includes Five Hard Trap Construction Kits to help you warm the year up! You'll get Melodies, 808s, Snares, Kicks and more. All the sounds are 100% Royalty-Free.

Black Sabbath - Sabbath Bloody Sabbath (1973)  Music

Posted by v3122 at March 9, 2017
Black Sabbath - Sabbath Bloody Sabbath (1973)

Black Sabbath - Sabbath Bloody Sabbath (1973)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Warner Bros., 2695-2 | ~ 271 or 101 Mb | Scans(jpg) -> 31 Mb
Hard Rock, Heavy Metal

With 1973's Sabbath Bloody Sabbath, heavy metal godfathers Black Sabbath made a concerted effort to prove their remaining critics wrong by raising their creative stakes and dispensing unprecedented attention to the album's production standards, arrangements, and even the cover artwork. As a result, bold new efforts like the timeless title track, "A National Acrobat," and "Killing Yourself to Live" positively glistened with a newfound level of finesse and maturity, while remaining largely faithful, aesthetically speaking, to the band's signature compositional style…