Following two anemic-selling albums with his post-Eurythmics outfit, the Spiritual Cowboys, Dave Stewart released his proper solo debut in Greetings From the Gutter. It curtails the more rock-leaning aspects of the prior albums for a funkier, dance approach with Parliament/Funkadelic alumni Bootsy Collins, Bernie Worrell, and Jerome "Big Foot" Brailey backing Stewart. The sultry, almost campy, "Heart of Stone" is a funky, disco-styled song with infectious backing vocals performed by a female quartet including Lady Miss Kier, Nona Hendryx, and Siobahn Fahey. "Chelsea Lovers" is a deliciously bittersweet, glam ballad (with a nod to Bowie in the lyrics). "Jealous" is stripped down and soulful and "St. Valentine's Day" opens like a Tom Waits song before giving way to a Beatlesque, psychedelic melody. Laurie Anderson adds violin and vocals to the eerie, spacy "Kinky Sweetheart," featuring a wicked guitar solo from Stewart. "Damien Save Me" has a monstrous, hypnotic groove, a smoking sax solo from Lenny Pickett, and some Hendrix-like guitar. The playing is tight, the vibe is loose, and Greetings From the Gutter is some of Stewart's warmest, most compelling work.
An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the Kennedy assassination, Vietnam, and amateur film-making.
The plot concerns Angel, an amnestied FARC guerilla whose daughter is kidnapped by one of his own former victims. The kidnapper's ultimatum is that Angel has 72 hours to eliminate his own former guerilla unit in order to save his daughter.
The birth of Russian national music culture in the 19th century is closely connected with Glinka. Balakirev was one of the initiators of the group in which musicians of varying creative inclinations & abilities came together. The oriental element is very evident in works by Borodin & he makes effective use of the exotic sound world in his only opera Prince Igor. Rimsky-Korsakov is represented as a composer in his own right on this recording by his overture Russian Easter Festival (1888). Tchaikovsky was not a member of the "Mighty Five", unlike the composers already mentioned, but he too strove to write works in which typical national features were prominent.