El libro consta de 100 lecciones. En cada una hay un “Diálogo”, “Vocabulario” y “Gramática y Frases”. El contenido del “Diálogo” está tomado de la vida diaria y con orientación práctica.
Grievous Angel was the second solo album by Gram Parsons, compiled from 1973 sessions and released four months after his death. Like all of Parsons' records, it failed to rate high on the charts, never reaching the top hundred on the Billboard charts. Nonetheless, it is viewed as a successful example of the hybrid between country and rock and roll Parsons called "Cosmic American Music."
In the year before his death in the fall of 1973, Gram Parsons recorded two superb solo albums, and Warner Brothers has conveniently reissued them in their entirety on a single compact disc. Since many of the same musicians played on both G.P. (released in January of 1973) and Grievous Angel (which appeared in stores almost exactly a year later), the two albums flow together quite well as a single set. And while no bonus tracks were added, the booklet features well-written essays on Parsons from John M. Delgatto and Marley Brant, the complete liner notes from both albums, and lyrics for all the songs on the disc (which weren't included in the original vinyl issues). While the material and performances on G.P. are a shade stronger than on Grievous Angel, both albums have more than their share of pearly moments, and this disc is a treat from start to finish; James Burton's guitar leads are chicken-pickin' at its smartest and most tasteful, Al Perkins' pedal steel is the definitive sound of country & western heartache, fiddler Byron Berline effortlessly reveals how he became one of Nashville's leading session musicians, and Parsons' duets with the young Emmylou Harris are nothing less than sublime.
This highly successful blowing session works because of overlapping links among players and material. Bassist Teddy Kotick and drummer Nick Stabulas were frequent partners, in the groups of leader Phil Woods and others. Kotick and pianist Red Garland also had working experience with Charlie Parker, whose compositions are heard here as well as those of Woods, who then and now was one of Jazz’s leading Parkerites.
This long-out-of-print CD has finally been reissued and it's a must-have for Phil Woods fans, or for anyone interested in an excellent example of post-Parker be-bop saxophone. The sound quality is excellent, the rhythm section is very competent and Phil is at the top of his game on a nice mix of standards and originals. It's easy to see why he has been the benchmark for jazz alto for decades. His swing and inventiveness are nicely showcased as he eases his way through the list of tunes. If one were to buy one or two CD's that best show Phil Woods' ability to create meaningful jazz, this one would have to be high on the list for consideration. Don't miss it!