El libro consta de 100 lecciones. En cada una hay un “Diálogo”, “Vocabulario” y “Gramática y Frases”. El contenido del “Diálogo” está tomado de la vida diaria y con orientación práctica.
Grievous Angel was the second solo album by Gram Parsons, compiled from 1973 sessions and released four months after his death. Like all of Parsons' records, it failed to rate high on the charts, never reaching the top hundred on the Billboard charts. Nonetheless, it is viewed as a successful example of the hybrid between country and rock and roll Parsons called "Cosmic American Music."
In the year before his death in the fall of 1973, Gram Parsons recorded two superb solo albums, and Warner Brothers has conveniently reissued them in their entirety on a single compact disc. Since many of the same musicians played on both G.P. (released in January of 1973) and Grievous Angel (which appeared in stores almost exactly a year later), the two albums flow together quite well as a single set. And while no bonus tracks were added, the booklet features well-written essays on Parsons from John M. Delgatto and Marley Brant, the complete liner notes from both albums, and lyrics for all the songs on the disc (which weren't included in the original vinyl issues). While the material and performances on G.P. are a shade stronger than on Grievous Angel, both albums have more than their share of pearly moments, and this disc is a treat from start to finish; James Burton's guitar leads are chicken-pickin' at its smartest and most tasteful, Al Perkins' pedal steel is the definitive sound of country & western heartache, fiddler Byron Berline effortlessly reveals how he became one of Nashville's leading session musicians, and Parsons' duets with the young Emmylou Harris are nothing less than sublime.
Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. Fast and funky fusion from David Matthews – building off the sound of his later Kudu recordings with a sweet electric groove! The album's got a pretty full approach overall – with Matthews on electric piano, and directing a large group of players that includes Mike Maineri, Michael Brecker, Jon Faddis, Shunzo Ohno, and Ronnie Cuber – and a number of tracks feature a vocal chorus that includes Ullanda McCullough and Yvonne Lewis. The overall style is slick, but not in a bad way – and Matthews more than meets the Japanese fusion sound head to head for this non-US release from the time!
Soghomon Soghomonian, ordained and commonly known as Komitas, (Armenian: Կոմիտաս; 26 September 1869 – 22 October 1935) was an Armenian priest, musicologist, composer, arranger, singer, and choirmaster, who is considered the founder of Armenian national school of music. He is recognized as one of the pioneers of ethnomusicology.
…I Solisti Italiani continues, both spiritually and sonically, where the original Virtuosi di Roma left off, with creamy, expert, middle-of-the-road performances of Baroque and Classical period music, and occasional 20th-century pieces as well. The ensemble is small - only 12 players, without conductor - but the sound is full and caloric, the playing dapper and disciplined.