In the Inventions, Jansen is an equal partner with violist Maxim Rysanov and cellist Torleif Thedéen in performances of wit, feeling, and subtle grace. In the Partita and especially its excruciatingly ecstatic Chaconne, Jansen delivers consummate musicality and surpassing emotional honesty. Decca's sound is close and evocative.
Features 24 bit digital remastering. Comes with a description. An unusual little record – a set that's a bit "fake" in its pedigree, but which still comes across with some wonderfully vivid results! Fred Kaz is a Chicago pianist, but he works here on a set of original compositions based on his readings on Near Eastern cultures – dubbed by Fred as "Turkish experiments" in the liner notes – and a compelling blend of Eastern modes and modern jazz piano – maybe not as all-out as later experiments of the type on MPS/Saba, but still pretty darn great!
Features 24 bit digital remastering. Comes with a description. The Jazz Makers: Art Ellefson (tenor saxophone), Ronnie Ross (alto and baritone saxophones), Stan Jones (piano), Stan Wasser (bass), Allan Ganley (drums) recorded in New York, September 23, 1959. What ever happened to The Jazz Makers? In 1959, the British jazz quintet The Jazz Makers came second in the British Melody Maker journal reader’s poll small jazz combo section, beating even the Tubby Hayes and Ronnie Scott’s Jazz Couriers. They first established a US presence in 1958, appearing at the Newport Jazz Festival, and subsequently touring on the same bill as Thelonious Monk, where they caught the ear of Atlantic boss Nesuhi Ertegan. He brought them into a New York studio to record this album, The Swinging Sounds of The Jazz Makers, Atlantic 1333. Ronnie Ross went on to receive a Downbeat magazine New Star award.
Features 24 bit digital remastering. Comes with a description. In the early '60s, bassist Red Mitchell and tenor saxophonist Harold Land co-led a quintet in Los Angeles. The group did not catch on but they did record one Atlantic set that has been reissued on CD. In addition to the co-leaders, the quintet included trumpeter Carmell Jones, pianist Frank Strazzeri, and drummer Leon Pettis, and, although their original program of six songs was comprised entirely of group originals, the music falls easily into the hard bop area with plenty of fine solos and swinging ensembles. This is a fine effort from a group that deserved greater recognition at the time.