His third album in as many years to tackle the classic U.S. sounds of the '60s, California: Americana, Vol. 3 sees Canadian-Acadian vocalist Roch Voisine abandon the old-school rock & roll and Nashville country of its predecessors in favor of nine of the flower power movement's defining folk-pop hits. Recorded in California itself, the 2010 installment of the successful series pays homage to the state's musical heritage, with faithful performances of the Byrds' Book of Ecclesiastes-inspired "Turn! Turn! Turn! (To Everything There Is a Season)," Crosby, Stills & Nash's "Southern Cross," and the Monkees' Neil Diamond-penned "I'm a Believer," alongside both English and bilingual versions of Scott McKenzie's "San Francisco" and the Mamas & the Papas' "California Dreamin'."
I'll Always Be There is a 1993 English language album by Canadian singer Roch Voisine. It includes his successful hit single I'll Always Be There and an English-language version of his earlier French language hit La légende Oochigeas found on his Europe Tour live album.Joseph Armand Roch Voisine, OC better known as Roch Voisine, (born March 26, 1963 in Edmundston, New Brunswick) is a Canadian Acadian singer-songwriter, actor, and radio and television host who lives in Montreal, Quebec and Paris, France. He writes and performs material in both English and French. He won the Juno Award for Male Vocalist of the Year in 1994. In 1997 he was made an Officer of the Order of Canada.
This final LOiseau-Lyre set presents some of the most significant Medieval & Renaissance albums recorded by one of the most authoritative Early Music labels.
Bruce Cockburn's self-titled debut's blend of diversity, enthusiasm, and innocence never quite resurfaced again in his work, especially in his more clinical, politically inclined tracts of later decades. The opening number, "Going to the Country," still evokes that hippie-esque, back-to-the-earth movement as well as any song ever recorded, complete with a sly wink that keeps it fresh to this day. And since this was 1970, the album also comes equipped with some of those quaint excesses of the period; try the nasal tone poem gracing "The Bicycle Trip." "Musical Friends" remains a lively, happy-go-lucky classic with piano signature lifted from Paul McCartney's playbook; it's difficult to picture the dour Cockburn of more recent years ever having this much fun. In contrast, "Thoughts on a Rainy Afternoon" offers a trance-like, introspective atmosphere reminiscent of British folkie legend Nick Drake.
Jagger doesn't show any signs of wear on his third – and by far best – solo album. If anything, his voice seems to have developed a deeper bottom end without sacrificing any of the highs. This is not always an advantage – the forced falsetto and rhythmic pulse of "Sweet Thing" causes a nightmarish flashback to the Stones' disco flirtations in the mid-'70s…
To hear bassist Kent Carter on this '84 recording is to hear the bassist in an entirely different context than anything his work with Steve Lacy and Paul Bley would belie. Always an artist with a penchant for strengthening an ensemble and its collective voice, Carter has comprised his ostensibly "solo" work of exercises and experiments documenting his search for a unified string conception in a group context. The use of overdubbed parts on everything from Ligeti-esque soundmasses to Eastern European folk explorations on his '74 Emanem recording, Beauvais Cathedral, point directly to Carter as something more than a sideman. Of late featuring Albrecht Maurer and Emmanuelle Roch on violin and viola, respectively, the Trio in this early incarnation consists of Carter, Portuguese violinist Carlos Zingaro (who has since become a mainstay of the Lisbon free music scene), and French violist Francois Dreno. One of the most noticeable things about this string configuration is the replacement of the usual cello with the bass (and Carter is an accomplished cellist as well).