The Show Must Go On offers a definitive collection of Sayer's 1970s bubbly dance-pop hits like "You Make Me Feel Like Dancing," "When I Need You," and "More Than I Can Say." A number of rare singles are also included, as is the unreleased cut "Tonight the Sky's About to Cry".
The young ballet dancers of the L’Ecole de Danse de l’Opéra de Paris move elegantly and quickly through the rehearsal rooms of the house. The slight tension that spreads among the young girls, the oldest of whom is just 17 years of age, pervades the atmosphere – an atmosphere made, as it were, for the painter Edgar Degas. On the programme this evening is Coppélia, or the girl with the enamel eyes by Léo Delibes. The excitement among the girls is great because today they will be performing in the (reproduced) scenery and costumes which at the premiere on 25 May 1870 had delighted Emperor Napoleon III and the Empress. The first choreography of the work was undertaken by Arthur Saint-Léon (1821-1870), a violin and dance virtuoso famous at that time. He died of a heart attack at the age of 49, only a few months after the premiere. Over the years many arrangements and choreographies have been made of the piece. The version on this DVD is by Pierre Lacotte, the great ballet expert who has received many honours, and Claude Bessy, the long standing director of the ballet school at the Paris opera.
Lakmé, Delibes greatest opera, is performed by Opera Australia in all its oriental glory. Starring the exquisite coloratura soprano Emma Matthews as the innocent girl priestess Lakmé, and superb tenor Aldo Di Toro as the love-struck Gerald, the story tackles religion and cross-cultural love against a backdrop of British rule in India in the mid-19th century.
Darcey Bussell and Roberto Bolle star in Frederick Ashton’s Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. Ashton was inspired by the music of Léo Delibes to create such great choreographic sequences as the famous Act 3 pas de deux and the mischievous role of Eros, one of the delightful, darkly comic characterisations for which Ashton became known and loved.