The Víctor Ullate Ballet brings to its repertoire a new version of this important, internationally performed classic. Choreographer and artistic director Eduardo Lao emphasizes the comic spirit of Coppélia while keeping the original score written by Léo Delibes in 1870. This interpretation of Coppélia is set in a cybernetic laboratory specialised in artificial intelligence, where Doctor Coppélius is attempting to create a female android that moves and acts like a human.
Lakmé, Delibes greatest opera, is performed by Opera Australia in all its oriental glory. Starring the exquisite coloratura soprano Emma Matthews as the innocent girl priestess Lakmé, and superb tenor Aldo Di Toro as the love-struck Gerald, the story tackles religion and cross-cultural love against a backdrop of British rule in India in the mid-19th century.
The Masterworks Heritage series, issued in the Mid 90's, received outstanding critical acclaim for the choice of repertoire and recordings, for the editorial /packaging and the splendid remastering of early mono and stereo tape masters. This excellent value, budget-priced, 28-CD-box set contains 20 of the best Masterworks Heritage releases. The CDs are in paper-sleeves with the original artwork of the former CD/LP. The booklet with tracklisting and the original liner notes in in English, all presented in special 2-part-box with slider. Featured artists: Claudio Arrau, Gregor Piatigorsky, Eugène Ysaÿe, Budapest String Quartet, Mstislav Rostropovich, Robert Casadesus, Leon Fleisher, Martina Arroyo, Leonard Bernstein, Eugene Ormandy, Leopold Stokowski, Bruno Walter, George Szell, Dimitri Mitropoulos, Thomas Schippers, Fritz Reiner, Philadelphia Orchestra, New York Philharmonic, Cleveland Orchestra, Columbia Symphony Orchestra, Pittsburgh Symphony Orchestra.
Darcey Bussell and Roberto Bolle star in Frederick Ashton’s Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. Ashton was inspired by the music of Léo Delibes to create such great choreographic sequences as the famous Act 3 pas de deux and the mischievous role of Eros, one of the delightful, darkly comic characterisations for which Ashton became known and loved.