This fantastic collectors anthology features rare performances from the live broadcasts recorded in America during the Brian Jones era. To celebrate this unique edition, artist Rodney Matthews has re-imagined his iconic 1974 US Rolling Stones tour poster to incorporate the classic Stones lineup featuring Brian Jones. This is indeed the Stones in another time and another place.
In the summer of 2016 I lived in Ibiza. I played 50 sunsets on the Spanish island and across the Mediterranean in Italy. When the season was over, reflecting on this busy time, I decided that my favourite place wasn’t so much one physical place, it was more a feeling that occurred at a certain time of day. My favourite place was anywhere, just before sunset, especially if there was a clear view of the sun setting into the sea.
For the second straight time (and for his second Astor Place release), pianist Cedar Walton sticks to his own compositions for this recording. What is different from his debut on the label is that, in this case, many of the songs have been around awhile, including his classic, "Boliva," "When Love Is New" and "Mode for Joe." Walton and his trio (bassist Ron Carter and drummer Lewis Nash) are joined by a five-man horn section (which includes trumpeter Don Sickler), percussionist Ray Mantilla and, on three songs apiece, a featured guest: tenor saxophonist Joshua Redman, trumpeter Terence Blanchard and/or guitarist Mark Whitfield. Everyone plays up to par (Redman, in particular, is in fine form), and overall, this is a solid, modern hard bop date that reaches its potential.
1100 Bel Air Place was designed as Julio Iglesias' breakthrough to the American audience, finding the Latin superstar recording with producer Richard Perry – the architect behind blockbusters by Barbra Streisand, Ringo Starr and Harry Nilsson – and duetting with such established American superstars as Diana Ross, Stan Getz, the Beach Boys and Willie Nelson…
A lost chapter of genius from vibes player Billy Wooten – and a great one too! The set's a rare outing with Hammond giant Groove Holmes – laid out nicely here in a quartet setting that offers up plenty of Billy's great vibes mixed with the organ – in a mode that's very different than anything else Wooten ever recorded, and which really takes us back to the best soul jazz years of 60s Prestige Records! The group also features great tenor from Jimmy Coe – a player we don't really know at all – and drums from Jozell Carter, who works nicely with the rhythms from Holmes' work on the Hammond. Titles include "Blue Bossa", "Bags", "Groove's Blues", "It's A Groove Thing", and "I Remember April."