05 Chamber Works II

Veits Quintet - Ravel, Françaix, Taffanel & Ibert: Chamber Works (2016)

Veits Quintet - Ravel, Françaix, Taffanel & Ibert: Chamber Works (2016)
MP3 320 kbps CBR | 01:03:39 | 146 MB
Genre: Classical | Label: Ars Produktion

An award-winning ensemble, the Veits Quintet was awarded the first prize at the Braunschweig International Music Competition in 2013, and most recently the second prize at the International Carl Nielsen Chamber Music Competition in Copenhagen. For their first release with Ars Produktion, the group has put together a program which they believe will perfectly display their finest qualities, including works from Ravel, Francaix, Taffanel, and Ibert. Founded in 2012, The Veits Quintet has quickly become one of the most promising woodwind quintets of this generation. The performers are graduates of Universities in Munchen, Trossingen, Berlin, and London, and have individually performed alongside the finest orchestras in the world.
Erika Raum, Dianne Werner - Music in Exile - Chamber Works by Paul Ben-Haim (2013)

Erika Raum, Dianne Werner - Music in Exile - Chamber Works by Paul Ben-Haim (2013)
X Lossless Decoder | Flac (Tracks + cue + log) | 314 MB | MP3 320Kbps CBR | 188 MB | 1 CD | Full Scans
Genre: Classical | Label: Chandos | Catalog Number: 10769

This is Volume 1 in a new chamber series which explores the music of composers who were forced to flee Europe during the 1930s. The survey begins with works by the German-born Jewish composer Paul Ben-Haim (né Frankenburger) who immigrated to Palestine in October 1933. Ben-Haim was an accomplished pianist, conductor, choral coach, and composer who made a significant cultural contribution to his adoptive country. The list of musicians who commissioned, performed, and recorded his music includes Yehudi Menuhin, Itzhak Perlman, Menahem Pressler, and Leonard Bernstein. Among the Israeli composers he taught are Eliahu Inbal, Avraham Sternklar, Noam Sheriff, and Shulamit Ran.

Cheryl Frances-Hoad - Chamber Works (The Glory Tree)  Music

Posted by Swervedriver55 at Sept. 29, 2011
Cheryl Frances-Hoad - Chamber Works (The Glory Tree)

Cheryl Frances-Hoad - Chamber Works (The Glory Tree)
EAC RIP | FLAC + CUE + LOG | COVER + BOOKLET | RAR FILES (3% recovery) | 385 Mb
Classical | 2011 | Champs Hill Records
Elliott Carter - Happy Birthday, Elliott Carter! - New Chamber Works (2008)

Elliott Carter - Happy Birthday, Elliott Carter! - New Chamber Works (2008)
EAC RIP | APE + CUE + LOG | COVER + BOOK | RAR FILES (3% recovery) | 253 Mb
Classical | NEOS 10816

Mozart, Telemann, Reicha, J. C. Bach: Chamber Works (1990)  Music

Posted by bakuman at July 31, 2010
Mozart, Telemann, Reicha, J. C. Bach: Chamber Works (1990)

Mozart, Telemann, Reicha, J. C. Bach: Chamber Works (1990)
1 CD | EAC rip | FLAC(tracks) + CUE + LOG | No Scans | RAR FILES (3% recovery) | 262 MB
Genre: Classical | Label: Sony | SM + HF + FS

David Diamond - Chamber Works (1996)  Music

Posted by basa005 at July 8, 2010
David Diamond - Chamber Works (1996)

David Diamond - Chamber Works (1996)
EAC RIP | APE + CUE + LOG | COVER+BOOK | RAR FILES (3% recovery) | 287 Mb
Classical | New World Records 80508

Camillo Togni - Chamber Works (2009)  Music

Posted by basa005 at May 4, 2010
Camillo Togni - Chamber Works (2009)

Camillo Togni - Chamber Works (2009)
EAC RIP | APE + CUE + LOG | COVER+BOOK | RAR FILES (3% recovery) | 243 Mb
Classical | Naxos 8.572074

Pat Metheny - Works II (1988) [Re-Up]  Music

Posted by Designol at Oct. 28, 2016
Pat Metheny - Works II (1988) [Re-Up]

Pat Metheny - Works II (1988)
XLD | FLAC | Image (Cue&Log) ~ 251 Mb (incl 5%) | Mp3 (CBR320) ~ 125 Mb (incl 5%) | Scans included
Genre: Contemporary Jazz, Jazz Fusion | Label: ECM | # 837 272-2 | Time: 00:43:35

This is a soul-stirring release performed by Pat Metheny and a plethora of friends, all great jazz musicians in their own right. Works II is a compilation of his finest work, spread out from the years 1976 to 1984. This guitarist/composer/bandleader became one of the leading names in the jazz genre during the '70s and '80s. This collection of beautifully written numbers reflects his character of good taste and the unique flavor of his graceful, even-flowing solos. Opening with "Unquity Road," Metheny is joined by the legendary Jaco Pastorius on bass and Bob Moses on drums. The soothing sweeping tones of his guitar blends in charmingly with Moses pulsating percussion and the rousing basslines of Pastorius.
Wies de Boevé - Glière, Bottesini, Jongen, Hauta-aho & Piazzolla: Chamber Works (2016)

Wies de Boevé - Glière, Bottesini, Jongen, Hauta-aho & Piazzolla: Chamber Works (2016)
Classical | MP3 CBR 320 kbps | 00:54:07 | 124 MB
Label: Genuin / Naxos

In 2015, Wies de Boevé because the first double bassist to win Germany's National Music Competition, one of the world's most renowned instrumental competitions. Boevé played with passion and it can be heard for the first time here, on this album. With his piano partner Tomoko Takahashi, Boevé performs literature by Gliere, Bottesini Piazzolla and several others.
Vladimir Ashkenazy, European Soloists Ensemble - Igor Stravinsky: Ragtime, Chamber Works (1996)

Vladimir Ashkenazy, European Soloists Ensemble - Igor Stravinsky: Ragtime, Chamber Works (1996)
EAC | FLAC | Tracks (Cue&Log) ~ 258 Mb (incl 5%) | Mp3 (CBR320) ~ 171 Mb (incl 5%) | Scans included
Genre: Classical | Label: Decca | # 448 177-2 | Time: 00:59:00

The earliest piece on this disc is the delightful Pastorale, written in 1907, when Stravinsky was 25; the latest is the enigmatic Epitaphium, written 52 years later. In between come a clutch of pieces from that fascinating period of Stravinsky’s life when he was moving from Russianism to neo-classicism via jazz. The remaining two, the Octet of 1923 and the Septet of 1953, are both firmly in Stravinsky’s witty, poised neo-classical style, though the Septet is moving towards new, tougher territory. Stravinsky himself made classic recordings of these pieces in the Sixties, now reissued on CD on the Sony label. These are always electric, if sometimes a little untidy, and so closely recorded you feel the players are sitting in your lap. By that lofty benchmark this new recording measures up superbly. Tempos are just as brisk and alert as Stravinsky’s, the accents just as incisive. These qualities are combined with a beautiful soft-grained tone – a nice change from Stravinsky’s lemon-sharp sound.