This second volume of miscellaneous chamber works contains all of the music that is not a formal quartet, quintet, or sextet. In includes the piano trios, the wonderful Terzetto for two violins and viola, works for solo instrument and piano, pieces for piano four-hands, and all of those little, undefinable works, some of which (such as the Bagatelles for two violins, cello, and harmonium) are magnificent.
"Gemeaux" (1971-1986) is one of Takemitsu's grandest works in terms of musical arc, scoring and length of gestation. It is written for two orchestras with two conductors, and with solo trombone at one orchestra and solo oboe at the other. As half of it was written during Takemitsu's "modernist apogee" of the turn of the '70s, we find a host of extended techniques, and at one point the soloists even speak through the mouthpieces of their instruments. As the other half of the work belongs to Takemitsu's late period, we find a successful of elegant self-contained gestures, his musical "gardens". The synthesis of two creative periods, however, makes for a piece singular in its impact in Takemitsu's oeuvre.
The performances of the music here are excellent, but the whole package matters, and it does not disappoint. The set comes in a good sturdy box. The 16 CDs are in similar study slipcases, with beautiful artwork on the front. There and full track listings and artist info on each one, so no rummaging in the booklet to find what is on the discs.