Elgar’s Violin Concerto has a certain mystique about it independent of the knee-jerk obeisance it has received in the British press. It probably is the longest and most difficult of all Romantic violin concertos, requiring not just great technical facility but great concentration from the soloist and a real partnership of equals with the orchestra. And like all of Elgar’s large orchestral works, it is extremely episodic in construction and liable to fall apart if not handled with a compelling sense of the long line. In reviewing the score while listening to this excellent performance, I was struck by just how fussy Elgar’s indications often are: the constant accelerandos and ritards, and the minute (and impractical) dynamic indications that ask more questions than they sometimes answer. No version, least of all the composer’s own, even attempts to realize them all: it would be impossible without italicizing and sectionalizing the work to death.
This is the second release on ONYX from the amazing Moscow Soloists and their charismatic director, the great Yuri Bashmet. Their first ONYX release was of Chamber Symphonies by Shostakovich, Sviridov and Vainberg (ONYX4007) which gained excellent reviews, including a Grammy 2007 nomination. This disc combines two great Stravinsky works for strings: the marvellous neo-classical ballet Apollon musagète (in the revised 1947 version entitled simply Apollo) and the post-war Concerto in D for strings, with a genuine novelty: in 1962 Rudolf Barshai arranged for his own Moscow Chamber Orchestra 15 of the 20 Visions fugitives that Prokofiev wrote for solo piano between 1915-17. Now Roman Balashov, manager and violist in the Moscow Soloists has completed the set for this world première recording. These are exciting miniatures which truly benefit from the added colours a string orchestra can bring.
This grande dame of the piano world, possessed of an extraordinarily modest, charming personality – focused on the music, devoted to deeply understanding it – has performed three times during the Chopin and His Europe Festival at the invitation of The Fryderyk Chopin Institute. The recordings on this album come from her concerts in 2010 (when she performed the Piano Concerto in F minor op. 21 with the Sinfonia Varsovia orchestra under the baton of Christopher Warren-Green) and 2014 (when she performed a recital including, among other items, the Nocturnes presented here). A presentation of – by nature – completely different interpretations, which nonetheless form an extraordinarily coherent artistic whole. Superb creations displaying the most beautiful side of pianistic art.
Coinciding with the Cream reunion of all the three original members, I Feel Free–Ultimate Cream collects the best of Cream's work. Cream–Eric Clapton (guitar, vocals), Jack Bruce (bass, vocals) and Ginger Baker (drums)–formed in 1966 and disbanded in 1968. In a little over two years, they released four groundbreaking albums, played over 300 gigs and secured worldwide acclaim and success with their unique take on electrified blues. They produced some of the most enduring rock anthems including Sunshine of Your Love, I Feel Free, Strange Brew and Crossroads. This career-spanning collection spotlights both sides of the Cream catalogue–the wildly experimental studio outfit and the stripped-down live trio–combining newly re-mastered studio classics along with eight historic live performances.
An incoherent tribute to Leonard Cohen, I'm Your Fan contains some fine versions of some of his best songs, but too often these renditions are half-hearted. Of particular interest are R.E.M.'s "First We'll Take Manhattan" and The Pixies' "I Can't Forget".
2012 collection from the R&B trio. They emerged from the late '70s Disco boom and helped define the '80s with a string of dance floor hits, innovative dance moves (they introduced the UK to body-popping) and trend setting 'wedge' hairstyles. This collection includes their four UK Top 10 hits ('I Can Make You Feel Good', 'A Night to Remember', 'There It Is' and 'Dead Giveaway') plus a further seven UK top 40 classics.