In celebration of John Coltrane's 80th birthday, Concord Music Group is now proud to present Fearless Leader, a special 6-CD boxed set focusing on his Prestige Records output as a band leader (1957-1958). This is the FIRST-EVER COMPREHENSIVE BOXED SET focusing on John Coltrane's Prestige Records output as a band leader. This BEAUTIFUL 6-CD boxed set is adorned with RARE PHOTOGRAPHS of John Coltrane as well as an EXTENSIVE 64-PAGE BOOKLET featuring COMPLETE ANNOTATED DISCOGRAPHICAL INFORMATION and liner notes by noted music historians RICHARD S. GINELL and LEWIS PORTER. Also features ORIGINAL SESSION NOTES and fully reproduced ORIGINAL ALBUM ARTWORK. Features noted sidemen RED GARLAND, PAUL CHAMBERS, DONALD BYRD, JIMMY COBB, FREDDIE HUBBARD and ART TAYLOR. 24-BIT REMASTERING from the Original Analog Master Tapes.
The Radio Legacy is a compilation of the seven part Anthology of the Royal Concertgebouw Orchestra, the four box sets devoted to the orchestra s chief conductors Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly, and also featuring more recent recordings with Mariss Jansons.
Outstanding performances of de Falla's, Granados and Albeniz's works.Unmistakable quality of a past standard of excellence that is hardly matched today.Rodzinski's austere conducting and his vitality and precision refined and developed some of the major orchestras of the time.These Rodzinski's memorable recordings include the Maestro's farewell to the Royal Philharmonic Orchestra at his last recording session for Westminster.
The word ‘symphony’ is used to describe an extended orchestral composition in Western classical music. By the eighteenth century the Italianate opera sinfonia - musical interludes between operas or concertos - had assumed the structure of three contrasting movements, and it is this form that is often considered as the direct forerunner of the orchestral symphony. With the rise of established professional orchestras, the symphony assumed a more prominent place in concert life between 1790 and 1820 until it eventually came to be regarded by many as the yardstick by which one would measure a composer’s achievement.