As a rule, record companies don't give artists the chance to pick the songs when a boxed set is assembled. They might ask the person who writes the liner notes to interview the artist, or they might even have the artist write the liner notes. But the label, not the artist, usually chooses the material. Self Portrait is an exception; when this five-CD, 95-track boxed set was assembled in 2001, a 91-year-old Artie Shaw was given a rare chance to make the selections himself and comment on them. And for those who are seriously into the clarinetist, it is fascinating to see what he chooses. Self Portrait, which spans 1936-1954, contains most of his essential swing, era hits, including "Stardust," "Begin the Beguine," "Frenesi," and his ominous signature tune, "Nightmare."
This splendid seven-disc set marks Alicia de Larrocha's 2003 retirement from the concert stage after an extraordinary career spanning more than seven decades. To many listeners, she is a peerless performer of Iberian (particularly Spanish and Catalan) music. Indeed, as her rendition of Manuel de Falla's Nights in the Gardens of Spain demonstrates, this Catalan pianist brilliantly captures the indefinable magic and charm of Iberian music, revealing a timeless richness and depth that lesser artists, conforming to ideas of national style, often miss. It would be a mistake, however, to define de Larrocha as an "Iberian specialist." As this set demonstrates, her rich repertoire encompasses various traditions and a timespan from the late Baroque to the present, from Bach to Xavier Montsalvatge (1912-2002).
VOLUME TWO : 5CD set, in card LP replica sleeves. Collects "Greasy Truckers Party : Live" (1972), "Live At The Padget Rooms, Penarth" (1972), "Back Into The Future" (1973), "Christmas At The Patti : Live" (1973) and "Maximum Darkness : Live" (1975)…
In 1972, one of Jamaica's most popular and successful singers, John Holt, teamed up with British-born record producer, Tony Ashfield to create a style of reggae aimed at appealing to music listeners of all ages and colours throughout the world. By combining Jamaican rhythms with sophisticated western arrangements, the pair succeeded in their aim, producing an album that exceeded all expectations. ‘The Further You Look’ set the standard for what later became widely known as ‘pop reggae’ and quickly became a must-have album for a broad spectrum of record buyers, selling in vast numbers amongst both black and white communities.
Produced with loving care by Claude Nobs, founder of the Montreux Jazz Festival, with no edits or overdubs, this document of Miles Davis's Montreux performances shows through never-before-released material how Miles and company transformed his music live, with their fire, invention, and interplay. The list of sidemen on these dates is a who's who of today's superstars, including saxophonist Dave Liebman, guitarists John Scofield and Robben Ford, keyboardists Adam Holzman and Kei Akagi, bassist Michael Henderson, and percussionist Mtume. Most of the music on these discs features versions of Davis's fusion "hits." The funky and R&B-ish ditty "Ife" and the bouncy "Calypso Frelimo" are rendered with more gusto than their studio versions, as are the in-the-pocket, mid-'80s tunes "Star People" and "New Blues." A package this big has more than a few surprises, however. Chaka Khan lends her powerful pipes to Davis's unique cover of the Michael Jackson sleeper, "Human Nature," and "Al Jarreau" is an upbeat (though too short) tribute to the great vocalise master.