These three magnificent works belong in the repertoire of cellists everywhere. They are full of Villa-Lobos’ signature exotic instrumental textures, folk-like melodies, and abundant invention. They are also harder than hell to play, and difficult to balance. Villa-Lobos was a cellist himself, and loved the instrument’s low, dark register. Penetrating his dense orchestration without making the instrument sound like a dying cow is just one of the many challenges facing cellists attempting to come to grips with this marvelously expressive music, though recordings can solve this problem with sensitive microphone placement. Antonio Meneses understands both the music and its performance problems, and his lower register manages to sound gruff without undue signs of bovine distress. He’s helped by some very sensitive accompaniments; Pérez projects the music’s lush timbres without laying it on too thick.