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The Radio Legacy is a compilation of the seven part Anthology of the Royal Concertgebouw Orchestra, the four box sets devoted to the orchestra s chief conductors Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly, and also featuring more recent recordings with Mariss Jansons.
This 2012 box set rounds up Blake Shelton's first five albums – Blake Shelton, The Dreamer, Blake Shelton's Barn & Grill, Pure BS, and Startin' Fires – presenting them as mini-LPs in a slipcase. There are no bonus tracks but this is an easy, affordable, and handsome way to get Shelton's prime.
"Die Sängerinnen und Sänger haben allesamt sehr intensiv an den Koloraturen gearbeitet und sind den teils horrenden Schwierigkeiten der Arien gut gewachsen … Außerdem sind die Rezitative mit hohem Konversationstempo und fantasievoller Generalbass-Improvisation umgesetzt." ~FonoForum
The Host and Mother director Bong Joon-ho makes his English-language debut with this dystopian sci-fi thriller set in the aftermath of a failed global-warming experiment that ushered in the dawn of a new Ice Age. As a perpetual-motion engine keeps a super-powered locomotive speeding around the planet, the impoverished lower classes occupy the rear cars while the privileged upper classes are pampered in the front. The fragile balance of power between the two begins to shift, however, when an enigmatic message sparks a revolt that cannot be quelled. Luke Evans, Song Kang-ho, Jamie Bell, John Hurt, Tilda Swinton, and Ed Harris star.
An inspiring, authoritative, chronological overview of one of the defining label-orchestra relationships, documenting 100 years of recording between two giants in music, the Berliner Philharmoniker and Deutsche Grammophon, from 1913 to 2013.
This long-deleted Essential Classics reissue (available again courtesy of Arkivmusic.com’s on-demand reprint program) comprises the first CD remastering of two separate Bach piano releases. One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence.