Sony in Germany are to issue Falco 60, a new best of/rarities collection across a number of formats, to celebrate what would have been the 60th birthday of Austrian singer-songwriter Falco, who scored a memorable transatlantic number one back in 1985 with Rock Me Amadeus.
Falco 60 is being issued as a three-CD deluxe set which includes the hits, rarities and four new remixes by contemporary Austrian artists such as Ogris Debris and Parvov Stelar.
Deluxe edition includes two bonus tracks. 2016 album from the acclaimed jazz artist. Esperanza Spalding presents Emily's D+Evolution, a rekindling of her childhood interest in theater, poetry and movement, which delves into a broader concept of performance. Taking a new approach to her on-stage persona, the remarkable Spalding taps into new creative energy, delivering musical vignettes inspired during a "sleepless night of full moon inspiration." As she puts it, "Emily is my middle name, and I'm using this fresh persona as my inner navigator. This project is about going back and reclaiming un-cultivated curiosity, and using it as a compass to move forward and expand. My hope for this group is to create a world around each song, there are a lot of juicy themes and stories in the music. We will be staging the songs as much as we play them, using characters, video, and the movement of our bodies".
With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai…
This is a recording of the complete sets performed in the Field of Avalon at Glastonbury Festival in 1995 and 2015.
1995: fresh from finishing and releasing his magnum opus, 'Last Train to Lhasa', Toby Marks, aka Banco de Gaia, rolled down to Glastonbury Festival to play on the Avalon Stage in the Field of Avalon. The year was one of the first times dance music had been given significant space at the festival, and Toby’s set was much anticipated, with the marquee completely full by the time he came on stage. The set featured many of his most familiar songs, often given radically new arrangements, turning some previously un-danceable tracks into driving club tunes…
The twenty sonatas on this recording show Handel writing for the professional musicians of his London opera orchestra; they demand considerable skill and stamina both from the soloist and the continuo. Prominent bass parts give the sonatas a contrapuntal strength and vitality, and Handel keeps the elements of display and purely musical argument in admirable balance in these works. For this reason, they are among the most attractive Baroque solo sonatas and deserve their lasting popularity.