Akiko (Atsuko Maeda), a young woman, comes to Vladivostok to meet Matsunaga (Ryohei Suzuki), a young businessman she has met in Tokyo only once. Akiko finally finds Matsunaga. However, he leaves her again, warning her not to trust strangers in a foreign country. She tries to follow him, but she is attacked by thugs and dumped on the outskirts of town.
Siblings Karin and Simon are visiting their parents and their little sister Clara. That evening, other relatives will be joining them for dinner. Over the course of the day, the washing machine is repaired, people sit together at the kitchen table, carry out an experiment with orange peel, talk about lungs, and sew on a button that was deliberately torn off. This sequence of family scenes in a Berlin flat complete with cat and dog creates a wondrous world of the everyday: Coming and going, all manner of doings, each movement leading to the next, one word following another. It is a carefully staged chain reaction of actions and sentences.
Even though Anne-Sophie Mutter recorded most of the great violin concertos early in her career, working closely with Herbert von Karajan and the Berlin Philharmonic, she hadn't recorded the Violin Concerto in A minor of Antonín Dvorák. This 2013 recording with Manfred Honeck and the Berlin Philharmonic fills that gap in her legacy, and this is an exceptionally bright and passionate performance, well worth the wait. Mutter is impeccable in execution and warm in expression, especially in the infectious Finale, and her presence is quite vibrant, thanks to Deutsche Grammophon's expert microphone placement that separates the violin from the orchestra and puts it front and center in the mix.
The arena rock band behind one of the fastest-selling debut albums in history, Boston was essentially the vehicle of guitarist and studio wizard Tom Scholz, born March 10, 1947 in Toledo, Ohio. A rock fan throughout his teen years, he began writing songs while earning a master's degree at the Massachusetts Institute of Technology…