It's hard to overestimate the importance of The Freewheelin' Bob Dylan, the record that firmly established Dylan as an unparalleled songwriter, one of considerable skill, imagination, and vision. At the time, folk had been quite popular on college campuses and bohemian circles, making headway onto the pop charts in diluted form, and while there certainly were a number of gifted songwriters, nobody had transcended the scene as Dylan did with this record. There are a couple (very good) covers, with "Corrina Corrina" and "Honey Just Allow Me One More Chance," but they pale with the originals here. At the time, the social protests received the most attention, and deservedly so, since "Blowin' in the Wind," "Masters of War," and "A Hard Rain's A-Gonna Fall" weren't just specific in their targets; they were gracefully executed and even melodic. Although they've proven resilient throughout the years, if that's all Freewheelin' had to offer, it wouldn't have had its seismic impact, but this also revealed a songwriter who could turn out whimsy ("Don't Think Twice, It's All Right"), gorgeous love songs ("Girl From the North Country"), and cheerfully absurdist humor ("Bob Dylan's Blues," "Bob Dylan's Dream") with equal skill.
Frampton Comes Alive! is a double live album by English rock musician Peter Frampton released in 1976, and one of the best-selling live albums in the United States. Following four solo albums with little commercial success, Frampton Comes Alive! was a breakthrough for the artist.
The second volume of Gord's Gold follows the same tradition of the first but in this case, it doesn't make sense, for re-recording tunes which were already in an updated sound defeats the purpose. I suppose Lightfoot just wasn't too thrilled with the original mixes so rather than remixing, he chose to do them over again.