One can't venture very far into contemporary pop without hearing the echoes of '70s-'80's soul, funk and r&b; decades once mocked have seen their vibrant, groove-savvy music re-embraced – often without a trace of kitsch-savvy irony. This triple-disc, 58 track collection may come anthologized with a slightly cheesy conceit–retro-party-soundtrack-in-a-box, with discs devoted to flavoring your soulful soiree's beginning, middle and end–but its potent collection of vintage, era-evoking favorites can't be denied. Disc one/"Kickin' It Off" wends its way from expected jams like Wild Cherry's "Play That Funky Music" and Gap Band's "You Dropped a Bomb on Me" through such funk-fueled grooves as James Brown's sweaty "Payback" and Donna Summer's urgent, torch-song-with-a beat "Last Dance." Disc two/"Getting' Into the Groove" does just that via Top 40 stalwarts like The Spinners, Four Tops and O'Jays, while making room for legends (Al Green, Isley Brothers) and newcomers like the Brothers Johnson and Kool & the Gang alike. The set's final act winds down into late-night sultriness via Marvin Gaye's "Sexual Heraling," Delfonics' "Didn't I Blow Your Mind," Pointer Sister's "Slow Hand" and other sexy charms.
The boxset features 81 tracks including 71 all exclusive tracks, 4 revamped demo tunes never before released on CD, and 6 exclusive remixes by old school scene acts. Limited to just 800 copies the "Old School Electrology" set comes in a luxurious tall-pak digipak with a 36-page booklet.
This extensive collection gathers together four volumes of demos, live performances, interviews, and other ephemeral material from the earliest phases of Detroit shock-glam legends Alice Cooper, and even traces their roots before the band as most know it came to be. The collection begins with the stompy garage psych number "No Price Tag" from Vincent Furnier's pre-AC 1966 band Spiders. Early demos from 1969's Pretties for You album follow, as do radio spots and raw live recordings from the earliest eras of the band, including an 11-minute organ-drone version of "I'm Eighteen," introduced as "a brand-new song" and sounding more like some bastardized take on the Doors than the three-minute confused coming-of-age rocker that wound up on 1971's Love It to Death album…
A lot has happened since the last record, Greasy Kid's Stuff in 2001. Since then I've fathered two small boys into young men, beaten cancer. It's been about 17 years. I figured it was about the right time toput a Blues record out. My youngest son Johnny has joined the family business. This is his singing debut on this album and he was only 17 at the time of the recording. I'm excited to still be playing guitar,happy that people still want to see and hear me, and haven't thrown any rocks at me yet. This album was made in two days at Big Jon Atkinson's home studio in Hayward, California. It was recorded live to tape on two tracks using all analogue equipment, vintage microphones, and the brilliant technique of Jon Atkinson's recording. The album includes the expert playing of Kedar Roy on bass, Marty Dodson on drums, Mike Welch on piano/organ, Danny Michel on 2nd guitar, with the legendary Kim Wilson performing vocals on one song.
On this high-power album, the larger than life New York bluesman goes back to the roots of post-war Chicago Blues and plays famous tracks by Muddy Waters, Howlin Wolf, Willie Dixon, etc.He's joined by leading contemporary blues stars Bill Perry, Mason Casey, Matt Smith, Jean-Jacques Milteau, Paul Personne and Dimitri Archip from the Black Coffee Blues Band.On "Old School", Popa Chubby (who recently played some UK gigs) smokes TNT, drinks dynamite and shows he can put some speed on the classic tracks of his blues heroes.